Mixed media, for me, is not about combining materials—it is about creating presence. Concrete, rusted metal, sound, light, shadow, distortion, silence. Each element carries emotional weight and symbolic memory.
The work exists somewhere between artifact and transmission: lanterns from another space, fragments of forgotten futures, inner worlds translated into physical form.
These works do not exist as isolated pieces, but as fragments of a larger universe—connected narratives exploring perception, memory, inner space, and the unseen worlds surrounding us.
For me, these are not objects, but relics from another space without time—fragments carrying memory, presence, light, and transmission.
Like Kintsugi, I believe every element carries its own history and memory. I am not interested in rebuilding objects back into their original form, but in bringing fragmented materials into coexistence with one another. Through their contrasts, scars, and differences, new identities emerge—allowing forgotten elements to transcend their past and become part of a new story.
